✎✎✎ Jaws World War 2 Analysis

Wednesday, October 20, 2021 12:16:45 PM

Jaws World War 2 Analysis



This Homework: Helpful Or Harmful To Students? sinking any warship, commercial vessel, or passenger ship in Axis controlled waters, without warning and Jaws World War 2 Analysis help to survivors. Firelight Jaws World War 2 Analysis, also wrote Slipstreamalso Jaws World War 2 Analysis Amblin'also wrote Night Gallery "Eyes" segment, The goal was to make the island into Jaws World War 2 Analysis staging area for the invasion of Japan scheduled for fall One example was Deputy Hendricks, Jaws World War 2 Analysis by future television producer Jeffrey Kramer. Baer

Jaws (1975) - The Indianapolis Speech Scene (7/10) - Movieclips

You can rightly point to the situation as being the cacophony of a busy street or market. We can notice the manifestation of cacophony in language as well. For instance, in the sentence ,. Generally, it sounds unpleasant as the same sound is repeated in two different words. Similarly, a discordant sound of a musical band, tuning up their musical instruments, is an example of cacophony. Cacophony is opposite to Euphony , which is the use of words having pleasant and harmonious effects.

Generally, the vowels, the semi-vowels, and the nasal consonants e. Cacophony, on the other hand, uses consonants in combinations that require explosive delivery e. In 84 warships and support vessels were sent to the Pacific. It remains the largest foreign deployment of the Royal Navy. Their largest attack was on the oil refineries in Sumatra to deny Japanese access to supplies. However it also gave cover to the US landings on Okinawa and carried out air attacks and bombardment of the Japanese mainland.

At the start of the Second World War the RN had 15 battleships and battlecruisers with five more battleships under construction, and 66 cruisers with another 23 under construction. To destroyers with 52 more under construction a further 50 old destroyers and other smaller craft were obtained from the US in exchange for US access to bases in British territories Destroyers for Bases Agreement.

There were 60 submarines and seven aircraft carriers with more of both under construction. During the war the Royal Navy lost major warships [47] and more than 1, small ones. There were , men including reserves and marines in the navy at the start of the war, which rose to , by the end. The Royal Marines reached a maximum of 78, in , having taken part in all the major landings. Finland's defensive war against the Soviet invasion, lasting November to March , came at a time when there was a lack of large scale military action on the continent called the " Phony War ". Attention turned to the Nordic theater. After months of planning at the highest civilian, military and diplomatic levels in London and Paris, in spring, , a series of decisions were made that would involve uninvited invasions of Norway, Sweden, Iceland, and Denmark's Faroe Islands , with the goals of damaging the German war economy and assisting Finland in its war with the Soviet Union.

An allied war against the Soviet Union was part of the plan. The British Ministry of Economic Warfare stated that the project against Norway would be likely to cause "An extremely serious repercussion on German industrial output The British military leadership by December became enthusiastic supporters when they realized that their first choice, an attack on German oil supplies, would not get approval. Winston Churchill , now head of the Admiralty, pushed hard for an invasion of Norway and Sweden to help the Finns and cut the iron supplies.

Likewise the political and military leaders in Paris strongly supported the plan, because it would put their troops in action. The poor performance of the Soviet army against the Finns strengthened the confidence of the Allies that the invasion, and the resulting war with Russia, would be worthwhile. However the civilian leadership of Neville Chamberlain 's government in London drew back and postponed invasion plans. Neutral Norway and Sweden refused to cooperate. On March 20, a more aggressive Paul Reynaud became Prime Minister of France and demanded an immediate invasion; Chamberlain and the British cabinet finally agreed and orders were given.

The Germans successfully repelled the Allied invasion. Despite Iceland's plea for neutrality, its occupation was seen as a military necessity by London. Operation Sea Lion was Germany's threatened invasion across the English channel in The Germans had the soldiers and the small boats in place, and had far more in the way of tanks and artillery than the British had after their retreat from Dunkirk. However, the Royal Navy and the Royal Air Force were fully prepared, and historians believe that an attempted invasion would be a disaster for the Germans. British naval power, based in Scotland, was very well-equipped with heavily armored battleships; Germany had none available.

At no point did Germany have the necessary air superiority. And even if they had achieved air superiority, it would have been meaningless on bad weather days, which would ground warplanes but not hinder the Royal Navy from demolishing the transports and blasting the landing fields. With a wide range of nations collaborating with the Allies, the British needed a way to coordinate the work. The Royal Navy dealt smoothly with the navies-in-exile of Poland, Norway, Netherlands, Belgium, France, Yugoslavia, and Greece using a liaison system between senior naval officers. The system produced the effective integration of Allied navies into Royal Navy commands. The attack killed men and sank one or badly damaged three of the four battleships at anchor.

The Vichy government was angry indeed but did not retaliate and maintained a state of armed neutrality in the war. When Germany occupied all of France in November , Vichy France had assembled at Toulon about a third of the warships it had started with, amounting to , tons. Germany tried to seize them; the French officers then scuttled their own fleet. It was well behind the British in the latest technology, such as radar, which was essential for night gunnery at long range. Regia Marina Strength. Two aircraft carriers were under construction; they were never launched. The nation was too poor to launch a major shipbuilding campaign, which made the senior commanders cautious for fear of losing assets that could not be replaced.

In the Battle of the Mediterranean the British had broken the Italian naval code and knew the times of departure, routing, time of arrival and make up of convoys. The Italians neglected to capture Malta, which became the main staging and logistical base for the British. On 7 December , the principal units of the Japanese Navy included: [63]. The front-line strength of the Naval Air Forces was warplanes, including fighters, torpedo bombers, and shore-based bombers. There were also flying boats used for reconnaissance. In the six months following Pearl Harbor, Admiral Yamamoto's carrier-based fleet engaged in multiple operations ranging from raids on Ceylon in the Indian Ocean to an attempted conquest of Midway Island, west of Hawaii.

His actions were largely successful in defeating American, British and Dutch naval forces, although The American fleet held at the battle of Coral Sea, and inflicted a decisive defeat on Yamamoto at Midway. Wake Island fell on December IJN built major forward bases at Truk and Rabaul. Bali and Timor also fell in February. The small but modern Dutch fleet had as its primary mission the defence of the oil-rich Dutch East Indies. Most of the forces were lost to Japanese air or sea attacks, with the survivors merged into the British Eastern Fleet. The Dutch navy had suffered from years of underfunding and came ill-prepared to face an enemy with far more and far heavier ships with better weapons, including the Long Lance -torpedo, with which the cruiser Haguro sank the light cruiser HNLMS De Ruyter.

As Germany invaded in April , the government moved into exile in Britain and a few ships along with the headquarters of the Royal Netherlands Navy continued the fight. The battle consisted of a series of attempts over a seven-hour period by Admiral Karel Doorman 's Combined Striking Force to attack the Japanese invasion convoy; each was rebuffed by the escort force. Doorman went down with his ships together with of his crew. During the relentless Japanese offensive of February through April in the Dutch East Indies, the Dutch navy in the Far East was virtually annihilated, and it sustained losses of a total of 20 ships including its only two light cruisers and sailors killed.

A small force of Dutch submarines based in Western Australia sank more Japanese ships in the first weeks of the war than the entire British and American navies together, an exploit which earned Admiral Helfrich the nickname "Ship-a-day Helfrich". Around the world Dutch naval units were responsible for transporting troops; for example, during Operation Dynamo in Dunkirk and on D-Day , they escorted convoys and attacked enemy targets. Building a Soviet fleet was a national priority, but many senior officers were killed in purges in the late s.

When Germany invaded in and captured millions of soldiers, many sailors and naval guns were detached to reinforce the Red Army ; these reassigned naval forces participated with every major action on the Eastern Front. Soviet naval personnel had especially significant roles on land in the battles for Odessa , Sevastopol , Stalingrad , Novorossiysk , Tuapse see Battle of the Caucasus , and Leningrad.

The Baltic fleet was blockaded in Leningrad and Kronstadt by minefields, but the submarines escaped. The surface fleet fought with the anti-aircraft defence of the city and bombarded German positions. In the Black Sea, many ships were damaged by minefields and Axis aviation , but they helped defend naval bases and supply them while besieged, as well as later evacuating them. Although Soviet leaders were reluctant to risk larger vessels after the heavy losses suffered by the Soviet Navy in , the Soviet destroyer force was used throughout the war in escort, fire-support and transport roles.

Soviet warships, and especially the destroyers, saw action throughout the war in Arctic waters and in the Black Sea. In Arctic waters Soviet destroyers participated in the defense of Allied convoys. Two more submarines, Marsuinul and Rechinul , were launched a short while prior to Romania's entry into the war, but they were commissioned only in May Also acquired in were five Italian CB -class midget submarines. By May , two Romanian motor torpedo boats Viscolul and Vedenia were fitted for escort service. The Romanian Navy was the only navy to fight for over three years without losing a single unit of its main force of destroyers and submarines. Navy submarines with some aid from the British and Dutch , operating from bases in Australia, Hawaii, and Ceylon, played a major role in defeating Japan.

Japanese submarines, however, played a minimal role, although they had the best torpedoes of any nation in World War II, and quite good submarines. The difference in results is due to the very different doctrines of the sides, which, on the Japanese side, were based on cultural traditions. Allied submarines concentrated on destroying Japanese logistics, for which the island nation depended on shipping. Within hours of Pearl Harbor, Roosevelt ordered a new doctrine into effect: unrestricted submarine warfare against Japan. This meant sinking any warship, commercial vessel, or passenger ship in Axis controlled waters, without warning and without help to survivors. Worst of all, before the war, an uninformed Customs officer had seized a copy of the Japanese merchant marine code called the " maru code" in the USN , not knowing U.

Thus it was not until the U. Navy learned to use its submarines to maximum effect: effective shipboard radar installed, commanders seen to be lacking in aggression replaced, and faults in torpedoes fixed. For the Imperial Japanese Navy, however, submarines, as part of the Japanese warrior tradition of bushido , preferred to attack warships rather than transports. Faced with a convoy, an Allied submarine would try to sink the merchant vessels, while their Japanese counterparts would give first priority to the escorts. This was important in , before Allied warship production came up to capacity. So, while the U. Supply runs were a lesser drain on Allied resources. The need to supply MacArthur's forces trapped in the Philippines led to diversion of boats to "guerrilla submarine" missions.

As well, basing in Australia placed boats under Japanese aerial threat while en route to patrol areas, inhibiting effectiveness, and Nimitz relied on submarines for close surveillance of enemy bases. A small number of oversized submarines handled much of the resupply, submarines that were less agile than their sisters attacking escorted convoys. Requirements of the Japanese Army to supply cut-off garrisons by submarine further reduced the effectiveness of Japanese anti-shipping warfare. A small number of Allied submarines—less than 2 percent of the fleet tonnage—strangled Japan by sinking its merchant fleet, intercepting many troop transports, and cutting off nearly all the oil imports that were essential to warfare.

By early the oil tanks were dry. The Japanese commercial fleet was 6. Japanese merchant losses came to 8. These had to be protected by surface fleets and aircraft. Japanese anti-submarine practices were careless and badly managed. The number of U. Half of their kills came in , when over subs were operating. In all, Allied submarines destroyed 1, merchant ships. Most were small cargo carriers, but were tankers bringing desperately needed oil from the East Indies. Another were passenger ships and troop transports. At critical stages of the Guadalcanal, Saipan, and Leyte campaigns, thousands of Japanese troops were killed before they could be landed.

Over warships were sunk, ranging from many auxiliaries and destroyers to eight carriers and one battleship. Underwater warfare was especially dangerous for the submarine crews. Most were shore based. While the Royal Navy spent a great deal of energy dealing with German surface and submarine attacks on its merchant marine, it also launched its own attack on Axis shipping, especially in the Mediterranean. The British sank Axis merchantment in the Mediterranean, amounting to over 4 million tons. The loss of supplies proved fatal to the Axis armies in North Africa.

Free French Naval Forces. From Wikipedia, the free encyclopedia. Main article: Battle of Midway. Main article: Battle of Guadalcanal. Main article: Battle of Okinawa. Main article: Kriegsmarine. Main article: Battle of the Atlantic. Main article: Operation Sea Lion. Further information: Naval operations in Romanian-occupied Soviet waters. Main article: Pacific War. In the beach town of Amity Island, a young woman, Chrissie Watkins, goes skinny dipping in the ocean. While treading water, she is unknowingly attacked by an unseen force. The next day, her partial remains are found on shore. The medical examiner's conclusion that the death was due to a shark attack leads police chief Martin Brody to close the beaches.

Mayor Larry Vaughn persuades him to reverse his decision, fearing that the town's summer economy will be ruined. The coroner tentatively concurs with the mayor's theory that Chrissie was killed in a boating accident. Brody reluctantly accepts their conclusion until the shark kills a young boy, Alex Kintner, in full view of a crowded beach. Meanwhile, consulting oceanographer Matt Hooper examines Chrissie's remains, and confirms her death was caused by a shark—an unusually large one.

When local fishermen catch a tiger shark , the mayor proclaims that the beach is safe. Kintner, Alex's mother, confronts Brody and blames him for her son's death. Hooper expresses doubts that the tiger shark is responsible for the attacks, and his suspicions are confirmed when no human remains are found inside its stomach after disection. Hooper and Brody find a half-sunken vessel while searching the night waters in Hooper's boat. Underwater, Hooper removes a sizable great white shark's tooth from the boat's hull, but drops it in fright after discovering the partial corpse of local fisherman Ben Gardner. Vaughn dismisses Brody and Hooper's assertions that a huge great white shark is responsible for the deaths, and refuses to close the beaches, allowing only increased safety precautions.

On the Fourth of July weekend, tourists pack the beaches. Following a juvenile prank with a fake shark, the real shark enters a nearby lagoon, killing a boater and causing Brody's oldest son, Michael, to go into shock. Brody then convinces a guilt-ridden Vaughn to hire Quint. Quint, Brody, and Hooper set out on Quint's boat, the Orca , to hunt the shark. While Brody lays down a chum line, Quint waits for an opportunity to hook the shark. Without warning, it appears behind the boat.

Quint, estimating its length at 25 feet 7. At nightfall, Quint and Hooper drunkenly exchange stories about their assorted scars, and Quint reveals that he survived the attack on the USS Indianapolis. The shark returns unexpectedly, ramming the boat's hull, and disabling the power. The men work through the night, repairing the engine. In the morning, Brody attempts to call the Coast Guard, but Quint, who has become obsessed with killing the shark without outside assistance, smashes the radio. After a long chase, Quint harpoons the shark with another barrel. The line is tied to the stern cleats, but the shark drags the boat backward, swamping the deck and flooding the engine compartment.

Quint prepares to sever the line to prevent the transom from being pulled out but the cleats break off, keeping the barrels attached to the shark. Quint heads toward shore to draw the shark into shallower waters, but he overtaxes the damaged engine and it fails. As the Orca slowly sinks, the trio attempts a riskier approach. Hooper enters the water in a shark-proof cage , intending to lethally inject the shark with strychnine , using a hypodermic spear. The shark attacks the cage, causing Hooper to drop the spear, which sinks and is lost. While the shark thrashes in the tangled remains of the cage, Hooper manages to escape to the seabed. The shark breaks free and leaps onto the boat, devouring Quint in the process.

Trapped on the sinking vessel, Brody shoves a pressurized scuba tank into the shark's mouth and climbs onto the crow's nest. He shoots the tank with Quint's rifle, killing the shark with the resulting explosion. Hooper resurfaces and paddles back to Amity Island with Brody, clinging to the remaining barrels. Richard D. Brown came across it in the literature section of lifestyle magazine Cosmopolitan , then edited by his wife, Helen Gurley Brown.

A small card written by the magazine's book editor gave a detailed description of the plot, concluding with the comment "might make a good movie". The year-old had just directed his first theatrical film, The Sugarland Express , for Zanuck and Brown. At the end of a meeting in their office, Spielberg noticed their copy of the still-unpublished Benchley novel, and after reading it was immediately captivated.

After Richards's departure, the producers signed Spielberg to direct in June , before the release of The Sugarland Express. Before production began, Spielberg grew reluctant to continue with Jaws , in fear of becoming typecast as the "truck and shark director". Principal photography was set to begin in May Universal wanted the shoot to finish by the end of June, when the major studios' contract with the Screen Actors Guild was due to expire, to avoid any disruptions due to a potential strike. For the screen adaptation, Spielberg wanted to stay with the novel's basic plot, but discarded many of Benchley's subplots.

Spielberg, who felt that the characters in Benchley's script were still unlikable, invited the young screenwriter John Byrum to do a rewrite, but he declined the offer. Spielberg wanted "some levity" in Jaws , humor that would avoid making it "a dark sea hunt", so he turned to his friend Carl Gottlieb , a comedy writer-actor then working on the sitcom The Odd Couple.

He passed the audition one week before Spielberg took him to meet the producers regarding a writing job. While the deal was initially for a "one-week dialogue polish", Gottlieb eventually became the primary screenwriter, rewriting the entire script during a nine-week period of principal photography. Many pieces of dialogue originated from the actors' improvisations during these meals; a few were created on set. John Milius contributed dialogue polishes, [20] and Sugarland Express writers Matthew Robbins and Hal Barwood also made uncredited contributions.

Benchley had written Jaws after reading about sport fisherman Frank Mundus 's capture of an enormous shark in According to Gottlieb, Quint was loosely based on Mundus, whose book Sportfishing for Sharks he read for research. Spielberg described it as a collaboration between Sackler, Milius, and actor Robert Shaw , who was also a playwright. Though Spielberg complied with a request from Zanuck and Brown to cast known actors, [16] he wanted to avoid hiring any big stars. He felt that "somewhat anonymous" performers would help the audience "believe this was happening to people like you and me", whereas "stars bring a lot of memories along with them, and those memories can sometimes One example was Deputy Hendricks, played by future television producer Jeffrey Kramer.

Kintner, the mother of the shark's second victim Alex Kintner played by Jeffrey Voorhees. The role of Brody was offered to Robert Duvall , but the actor was interested only in portraying Quint. Nine days before the start of production, neither Quint nor Hooper had been cast. And they were right. For the role of Hooper, Spielberg initially wanted Jon Voight. Disappointed in his performance and fearing that no one would want to hire him once Kravitz was released, he immediately called Spielberg and accepted the role in Jaws.

Because the film the director envisioned was so dissimilar to Benchley's novel, Spielberg asked Dreyfuss not to read it. Principal photography began May 2, , [44] on the island of Martha's Vineyard , Massachusetts, selected after consideration was given to eastern Long Island. Brown explained later that the production "needed a vacation area that was lower middle class enough so that an appearance of a shark would destroy the tourist business. Initially the film's producers wanted to train a great white shark [49] but quickly realized this wasn't possible so three full-size pneumatically powered prop sharks—which the film crew nicknamed "Bruce" after Spielberg's lawyer, Bruce Ramer—were made for the production: [50] a "sea-sled shark", a full-body prop with its belly missing that was towed with a foot 91 m line, and two "platform sharks", one that moved from camera-left to -right with its hidden left side exposing an array of pneumatic hoses , and an opposite model with its right flank uncovered.

Their construction involved a team of as many as 40 effects technicians, supervised by mechanical effects supervisor Bob Mattey , best known for creating the giant squid in 20, Leagues Under the Sea. After the sharks were completed, they were trucked to the shooting location. Jaws was the first major motion picture to be shot on the ocean, [53] resulting in a troubled shoot, and went far over budget. The former was epitomized by his insistence on shooting at sea with a life-sized shark; "I could have shot the movie in the tank or even in a protected lake somewhere, but it would not have looked the same," he said.

I was pretty naive about mother nature and the hubris of a filmmaker who thinks he can conquer the elements was foolhardy, but I was too young to know I was being foolhardy when I demanded that we shoot the film in the Atlantic Ocean and not in a North Hollywood tank. Shooting at sea led to many delays: unwanted sailboats drifted into frame, cameras got soaked, [36] and the Orca once began to sink with the actors on board. From the first water test onward, the "non-absorbent" neoprene foam that made up the sharks' skin soaked up liquid, causing the sharks to balloon, and the sea-sled model frequently got entangled among forests of seaweed. Shaw also fled to Canada whenever he could due to tax problems, [58] engaged in binge drinking , and developed a grudge against Dreyfuss, who was getting rave reviews for his performance in Duddy Kravitz.

The delays proved beneficial in some regards. The script was refined during production, and the unreliable mechanical sharks forced Spielberg to shoot many scenes so that the shark was only hinted at. For example, for much of the shark hunt, its location is indicated by the floating yellow barrels. This forced restraint is widely thought to have added to the film's suspense. It made me become more like Alfred Hitchcock than like Ray Harryhausen. Footage of real sharks was shot by Ron and Valerie Taylor in the waters off Dangerous Reef in South Australia , with a short actor in a miniature shark cage to create the illusion that the sharks were enormous. The footage of the cage attack was so stunning that Spielberg was eager to incorporate it in the film.

No one had been in the cage at the time and the script, following the novel, originally had the shark killing Hooper in it. The storyline was consequently altered to have Hooper escape from the cage, which allowed the footage to be used. Although principal photography was scheduled to take 55 days, it did not wrap until October 6, , after days. I heard rumors Fields, who had completed a rough cut of the first two-thirds of the film, up until the shark hunt, finished the editing and reworked some of the material. According to Zanuck, "She actually came in and reconstructed some scenes that Steven had constructed for comedy and made them terrifying, and some scenes he shot to be terrifying and made them comedy scenes.

Two scenes were altered following test screenings. As the audience's screams had covered up Scheider's "bigger boat" one-liner, Brody's reaction after the shark jumps behind him was extended, and the volume of the line was raised. The underwater scene was shot in Fields's swimming pool in Encino, California , [72] using a lifecast latex model of Craig Kingsbury's head attached to a fake body, which was placed in the wrecked boat's hull. John Williams composed the film's score , which earned him an Academy Award and was later ranked the sixth-greatest score by the American Film Institute. Williams described the theme as "grinding away at you, just as a shark would do, instinctual, relentless, unstoppable. When asked by Johnson why the melody was written in such a high register and not played by the more appropriate French horn, Williams responded that he wanted it to sound "a little more threatening".

As Williams saw similarities between Jaws and pirate movies, at other points in the score he evoked "pirate music", which he called "primal, but fun and entertaining". There are various interpretations of the meaning and effectiveness of the primary music theme, which is widely described as one of the most recognizable cinematic themes of all time.

He further argues that the score's strongest motif is actually "the split, the rupture"—when it dramatically cuts off, as after Chrissie's death. Spielberg later said that without Williams's score the film would have been only half as successful, and according to Williams it jumpstarted his career. Herman Melville 's Moby-Dick is the most notable artistic antecedent to Jaws. The character of Quint strongly resembles Captain Ahab , the obsessed captain of the Pequod who devotes his life to hunting a sperm whale. Quint's monologue reveals a similar obsession with sharks; even his boat, the Orca , is named after the only natural enemy of the white shark.

In the novel and original screenplay, Quint dies after being dragged under the ocean by a harpoon tied to his leg, similar to the death of Ahab in Melville's novel. However, the scene from Moby-Dick could not be licensed from the film's star, Gregory Peck , its copyright holder. The underwater scenes shot from the shark's point of view have been compared with passages in two s horror films, Creature from the Black Lagoon and The Monster That Challenged the World. Those precedents helped Spielberg and Gottlieb to "concentrate on showing the 'effects' of the shark rather than the shark itself". Most is taken from horror, with the core of a nature-based monster movie while adding elements of a slasher film.

The second half is both a buddy film in the interaction between the crew of the Orca , and a supernatural horror based on the shark's depiction of a nearly Satanic menace. When the doctor attempts to convince the townspeople of the danger, he loses his job and is shunned. This plotline is paralleled in Jaws by Brody's conflict with Mayor Vaughn, who refuses to acknowledge the presence of a shark that may dissuade summer beachgoers from coming to Amity. Brody is vindicated when more shark attacks occur at the crowded beach in broad daylight. Sinyard calls the film a "deft combination of Watergate and Ibsen's play". Jaws has received attention from academic critics.

Stephen Heath relates the film's ideological meanings to the then-recent Watergate scandal. He argues that Brody represents the "white male middle class—[there is] not a single black and, very quickly, not a single woman in the film", who restores public order "with an ordinary-guy kind of heroism born of fear-and-decency". Andrew Britton contrasts the film to the novel's post-Watergate cynicism, suggesting that its narrative alterations from the book Hooper's survival, the shark's explosive death help make it "a communal exorcism, a ceremony for the restoration of ideological confidence. Yet he observes that, far from the narrative formulas so often employed by New Hollywood filmmakers of the era—involving Us vs.

Them, hip counterculture figures vs. Whereas Britton states that the film avoids the novel's theme of social class conflicts on Amity Island, [] Biskind detects class divisions in the screen version and argues for their significance. The seaman's "working class toughness and bourgeois independence is alien and frightening Hooper, meanwhile, is "associated with technology rather than experience, inherited wealth rather than self-made sufficiency"; he is marginalized from the conclusive action, if less terminally than Quint. Fredric Jameson 's analysis highlights the polysemy of the shark and the multiple ways in which it can be and has been read—from representing alien menaces such as communism or the Third World to more intimate dreads concerning the unreality of contemporary American life and the vain efforts to sanitize and suppress the knowledge of death.

He asserts that its symbolic function is to be found in this very "polysemousness which is profoundly ideological, insofar as it allows essentially social and historical anxieties to be folded back into apparently 'natural' ones Neal Gabler analyzed the film as showing three different approaches to solving an obstacle: science represented by Hooper , spiritualism represented by Quint , and the common man represented by Brody. The last of the three is the one which succeeds and is in that way endorsed by the film. While in theaters, the film was said to have caused a single case of cinematic neurosis in a year-old, female viewer. This case study caused the film to become notable in the medical community alongside The Exorcist for causing stress reactions in its viewers, and was later used in a study by Brian R.

Johnson to test how susceptible audiences were to cinematic stress inducers. While Johnson could not find an exact cause for the stress response in viewers, whether it be the suspense, the gore or the music production, a study by G. Sparks found that particularly violent films, including Jaws , tended to cause the most intense reactions in viewers. Seiniger ultimately decided that "you had to actually go underneath the shark so you could see his teeth.

More merchandise was created to take advantage of the film's release. In , Graeme Turner wrote that Jaws was accompanied by what was "probably the most elaborate array of tie-ins" including "a sound-track album, T-shirts, plastic tumblers, a book about the making of the movie, the book the movie was based on, beach towels, blankets, shark costumes, toy sharks, hobby kits, iron-on transfers, games, posters, shark's tooth necklaces, sleepwear, water pistols, and more. The glowing audience response to a rough cut of the film at two test screenings in Dallas on March 26, , and one in Long Beach , on March 28, along with the success of Benchley's novel and the early stages of Universal's marketing campaign, generated great interest among theater owners, facilitating the studio's plan to debut Jaws at hundreds of cinemas simultaneously.

I don't want people in Palm Springs to see the picture in Palm Springs. I want them to have to get in their cars and drive to see it in Hollywood. At the time, wide openings were associated with movies of doubtful quality; not uncommon on the grindhouse and exploitation side of the industry, they were customarily employed to diminish the effect of negative reviews and word of mouth. There had been some recent exceptions, including the rerelease of Billy Jack and the original release of its sequel The Trial of Billy Jack , the Dirty Harry sequel Magnum Force , and the latest installments in the James Bond series.

Distributors would then slowly forward prints to additional locales across the country, capitalizing on any positive critical or audience response. The outsized success of The Godfather in had sparked a trend toward wider releases, but even that film had debuted in just five theaters, before going wide in its second weekend. For its 40th anniversary, the film was released in selected theaters across approximately theaters in the United States on Sunday, June 21, and Wednesday, June 24, The film entered overseas release in December , [] and its international business mirrored its domestic performance.

Star Wars surpassed Jaws for the U. On television, ABC aired it for the first time on November 4, right after its theatrical re-release. Jaws received mostly positive reviews upon release. Murphy praised Spielberg's directorial skills, and called Robert Shaw's performance "absolutely magnificent". It speaks well of this director's gifts that some of the most frightening sequences in Jaws are those where we don't even see the shark. Vincent Canby of The New York Times wrote, "It's a measure of how the film operates that not once do we feel particular sympathy for any of the shark's victims.

In the best films, characters are revealed in terms of the action. In movies like Jaws , characters are simply functions of the action He did describe it as "the sort of nonsense that can be a good deal of fun". It is a coarse-grained and exploitative work which depends on excess for its impact. Ashore it is a bore, awkwardly staged and lumpily written. Pechter of Commentary described Jaws as "a mind-numbing repast for sense-sated gluttons" and "filmmaking of this essentially manipulative sort"; Molly Haskell of The Village Voice similarly characterized it as a "scare machine that works with computer-like precision.

You feel like a rat, being given shock therapy". In the years since its release, Jaws has frequently been cited by film critics and industry professionals as one of the greatest movies of all time. In , the United States Library of Congress selected it for preservation in the National Film Registry , recognizing it as a landmark horror film and the first "summer movie". Jaws was key in establishing the benefits of a wide national release backed by heavy television advertising, rather than the traditional progressive release in which a film slowly entered new markets and built support over time. Moreover, Jaws whet corporate appetites for big profits quickly, which is to say, studios wanted every film to be Jaws.

The film brought an emphatic end to Hollywood's five-year recession, while ushering in an era of high-cost, high-tech, high-speed thrillers. Jaws also played a major part in establishing summer as the prime season for the release of studios' biggest box-office contenders, their intended blockbusters ; [] [] winter had long been the time when most hoped-for hits were distributed, while summer was largely reserved for dumping films thought likely to be poor performers. The film had broader cultural repercussions, as well. Similar to the way the pivotal scene in 's Psycho made showers a new source of anxiety, Jaws led many viewers to fear going into the ocean. Jaws set the template for many subsequent horror films, to the extent that the script for Ridley Scott 's science fiction film Alien was pitched to studio executives as " Jaws in space".

Richard Dreyfuss made a cameo appearance in the film Piranha 3D , a loose remake of the film. Dreyfuss plays Matt Boyd, a fisherman who is the first victim of the title creatures. Dreyfuss later stated that his character was a parody and a near-reincarnation of Matt Hooper, his character in Jaws. Martha's Vineyard celebrated the film's 30th anniversary in with a "JawsFest" festival, [] which had a second edition in On March 24, , it was announced that Donna Feore will direct and choreograph Bruce , the musical retelling of the behind-the-scenes story of Jaws , with Richard Oberacker writing the musical book and lyrics and Robert Taylor working on the music and is set to premiere from June to July at the Paper Mill Playhouse in Millburn, New Jersey.

On November 20, , a replica of the shark, also called "Bruce", was lifted into place at the Academy Museum of Motion Pictures in preparation for the museum's April opening. It was expected to be a major attraction. Greg Nicotero spent seven months restoring Bruce, which had been created after the original three sharks were destroyed and was on display for 15 years at Universal Studios Hollywood.

Bruce then spent 25 years in a junkyard, until the owner donated the shark to the museum in This release was an elaborate box-set that included deleted scenes and outtakes, a new two-hour documentary on the making of the film directed and produced by Laurent Bouzereau, a copy of the novel Jaws , and a CD of the soundtrack by John Williams. Jaws was first released on DVD in for the film's 25th anniversary, accompanied by a massive publicity campaign.

Other extras included deleted scenes, outtakes, trailers, production photos, and storyboards. The film has inspired two theme park rides : one at Universal Studios Florida , [] which closed in January , [] and one at Universal Studios Japan. In , video game developer Zen Studios developed and released a virtual pinball adaptation of the film as part of the Universal Classics add-on pack for the virtual pinball game Pinball FX 3. Jaws spawned three sequels to declining critical favor and commercial performance. Their combined domestic grosses amount to barely half of the first film's. Hancock , was fired a few days into the shoot; ultimately, his obligations to Close Encounters of the Third Kind , which he was working on with Dreyfuss, made it impossible.

It is generally regarded as the best of the sequels. The effect did not transfer to television or home video, where it was renamed Jaws 3. Co-starring Michael Caine , it is considered one of the worst movies ever made. From Wikipedia, the free encyclopedia. Theatrical release poster by Roger Kastel. Peter Benchley Carl Gottlieb. Zanuck David Brown. Release date. June 20, Running time. We started the film without a script, without a cast and without a shark. Main article: Jaws soundtrack. The main theme for Jaws , revolving around an ostinato of bass notes , which composer John Williams said were meant to represent the shark as an "unstoppable force" of "mindless and instinctive attacks" [73].

Archived from the original on March 26, Retrieved August 12, British Board of Film Classification. June 12, Archived from the original on January 30, Retrieved June 22, Universal Home Video. Archived from the original on May 25, Retrieved March 23, Jaws: The Inside Story Television documentary. The Biography Channel. Omaha World-Herald. Archived from the original on May 23, Retrieved March 6, Ain't It Cool News. Archived from the original on December 11, Retrieved January 2, Retrieved June 29,

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